TICKET GIVEAWAY: The Greater Hamilton Home & Garden Show

GH_Home_Garden_Show (2) EDITED

The Greater Hamilton Home & Garden Show showcases the latest products for home and garden under one roof at Players Paradise Sports Complex in Stoney Creek, Ontario this weekend. Taking place March 7th-March 9th you can check out hundreds of top local businesses specializing in home improvements, renovation, design, outdoor living and gardening.

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The 2014 Art Directors Guild Award Winners

The complete list of winners:

CONTEMPORARY FILM

office

HER (WINNER) – Production Designer: K.K. Barrett
AUGUST: OSAGE COUNTY – Production Designer: David Gropman
BLUE JASMINE – Production Designer: Santo Loquasto
CAPTAIN PHILLIPS – Production Designer: Paul Kirby
THE WOLF OF WALL STREET – Production Designer: Bob Shaw

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[UPDATED WITH WINNERS] OSCARS 2014 COMPLETE LIST: The 86th Academy Award Nominations are…

THE 2014 OSCAR NOMINATIONS

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At 8:30am EST on January 16th, the Academy Award nominees were announced. This year’s ceremony will take place on March 2nd in Hollywood, hosted by the lovely and talented Ellen DeGeneres.

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The Ten Commandments of Production Design

Ten Commandments Of Production Design

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1)    All the camera sees is the last coat of paint.

2)    Don’t cheat (unless you have to).

3)    Signs of protest are best done by amateurs.

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JURASSIC PARK (1993): Part 3- Architecture and Materials

JURASSIC PARK PART 3

Production designed by Rick Carter, the final part that ‘sells’ Jurassic Park as a working, functioning resort is the construction of the infrastructure. An abundance of raw concrete is employed, which works on levels both inside and outside of the film’s narrative. The rough and raw material suggests a kind of primal, carved sort of look, but the fact that it’s merely concrete rather than stone or granite works perfectly with the artificial façade found on the tourist side everywhere else.

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JURASSIC PARK (1993): Part 2- Internal Information, Advertising and ID Systems

ADM JURASSIC PARK PART 2

Aside from the exterior Corporate Identity (see Part 1) of Jurassic Park, production designed by Rick Carter, there was a distinct and different internal bit of design behind the flash exterior of the park. Of particular note – but often over looked because of the much-mocked UNIX system used at the denouement – is the park control system.

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JURASSIC PARK (1993): Part 1- Corporate Branding, Identity and Signage

ADM JURASSIC PARK TITLE

The true brilliance of Jurassic Park’s look is neither the CGI dinosaurs nor the animatronic ones – it’s the cohesive whole of the theme park island that frames them and makes them more believable. Production Designer, Rick Carter’s look for Jurassic Park – both the theme park and the film – eschews Michael Crichton’s “Voyage to the Land Before Time that Time Lost” tinplate aesthetic for a cutting edge clean that is wonderfully 90’s, lurid and tacky. At the time it was incredibly fresh and while it’s easy to date it now, it doesn’t look particularly dated.

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HUMP DAY QUOTE DAY: William Cameron Menzies on the Role of the Production Designer


William Cameron Menzies- Production Designer

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“He must have knowledge of architecture of all periods and nationalities. He must be able to visualize and make interesting a tenement or a prison. He must be a cartoonist, a Continue reading

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LINKS & STUFF: Gatsby, Star Trek & Liberace

It’s time to start up our Links & Stuff posts again. I sincerely thank you for your patience; it’s been far too long. If you want to stay in the loop before these posts roll around, follow Art DepartMENTAL on Twitter (@artdepartmental) and on Facebook where I post all the latest and greatest film, art, architecture and production design news and views.

Blood and Champagne

Blood & Champagne is one of my favourite new websites for admiring high-end modern and post-modern interiors

Source: BloodandChampagne.com

This month’s links…

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HUMP DAY QUOTE DAY: Alex McDowell on Technology

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Alex McDowell at 5D Berlinale Presentation

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“We’re in 100 percent digital film space now. I think the industry has to accept that this is like the transition to talkies — it’s massive and it’s game-changing and it’s happening.  Continue reading

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