Tag Archives: Jean-Luc Godard

PRODUCTION DESIGN PORN: Wes Anderson

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Wes Anderson is one of the most influential filmmakers of his generation. With storybook-like imagery, and highly stylized production design and cinematography he is the definition of an auteur and certainly one of my favourite filmmakers working today. His stories are as fun and interesting as his visual flair so it isn’t hard to see why he is nominated for an Academy Award this year alongside his Moonrise Kingdom co-writer, Roman Coppola for Best Original Screenplay.

While I feel I have a natural predisposition for visually bold filmmaking I’ve also fallen in love with Anderson’s aesthetic due to his wide variety of influences which uniformly affect his work. Peanuts, Orson Welles, Louis Malle, Jean-Luc Godard, Francois Truffaut, Martin ScorseseRichard LesterMike NicholsHal Ashby, and of course, J.D. Salinger, as discussed in this great essay from The Museum of the Moving Image, penetrate his work. As a cinephile and pop culture junkie it is that kind of attention to detail in all of his films that make him stand out in the crowd. What fascinates me most I suppose is what Matt Zoller Seitz refers to asmaterial synecdoche—showcasing objects, locations, or articles of clothing that define whole personalities, relationships, or conflicts.” This alone cuts to the core of what production design is and why Anderson’s films are so well-designed despite being logistically ambitious and overtly in your face.

Some may not like his singular vision of a quirky universe none of us will ever know but thankfully that has never stopped him. In a cinematic landscape often overloaded with over-rated cookie-cutter films made to sedate a seemingly unaware public, Wes Anderson’s films are a welcome breath of fresh air in my books.

Without further ado, here is this months ‘Production Design Porn’:

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BOTTLE ROCKET (1996)

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Logline: Bottle Rocket focuses on a trio of friends and their elaborate plan to pull off a simple robbery and go on the run.

Production Designer: David Wasco | Art Director: Jerry Fleming

Set Decorator: Sandy Reynolds-Wasco

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RUSHMORE (1998)

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Logline: The king of Rushmore prep school is put on academic probation.

Production Designer: David Wasco | Art Director: Andrew Laws

Set Decorator: Sandy Reynolds-Wasco

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THE ROYAL TENENBAUMS (2001)

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The Royal Tenenbaums

Royal Tenenbaums

Royal Tenenbaums

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Royal Tenenbaums

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Logline: An estranged family of former child prodigies reunites when one of their members announces he has a terminal illness.

Production Designer: David Wasco | Art Director: Carl Sprague

Set Decorator: Sandy Reynolds-Wasco

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THE LIFE AQUATIC WITH STEVE ZISSOU (2004)

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Logline: With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.

Production Designer: Mark Friedberg | Art Director: Stefano Maria Ortolani 

Set Decorator: Gretchen Rau

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THE DARJEELING LIMITED (2007)

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Logline: One year after their father’s funeral, three brothers travel across India by train in an attempt to bond with one another.

Production Designer: Mark Friedberg | Art Director: Adam Stockhausen 

Set Decorator: Suzanne Caplan Merwanji

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FANTASTIC MR. FOX (2009)

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Logline: An urbane fox cannot resist returning to his farm raiding ways and then must help his community survive the farmers’ retaliation.

Production Designer: Nelson Lowry | Art Director: Francesca Berlingieri Maxwell

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MOOONRISE KINGDOM (2012)

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Logline: A pair of young lovers flee their New England town, which causes a local search party to fan out and find them.

Production Designer: Adam Stockhausen | Art Director: Gerald Sullivan 

Set Decorator: Kris Moran

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Which of Wes Anderson’s films is your favourite?

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Rose Lagace | @artdepartmental

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Sources: The Museum of the Moving Image, Film Grab

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Filed under Design LOVE, Film HAPPINESS, PORN, Production DESIGN

HUMP DAY QUOTE DAY: Film

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Today’s Hump Day Quote Day theme is Film. You can check out last week’s theme, Ambition, here. The next quote theme will be Ability.

Source: Erica Iris Simmons

Film. Now here’s a subject I know a little something about. Sometimes I feel like all I do is eat, breathe, and sleep film. Particularly during awards season when I am busy working on a film or television show, then spending all my free time trying to consume all the films in contention, add to that researching and writing about film and production design for this blog- I end up feeling all filmed out. Yesterday I asked myself during a moment of exasperation, “How did this happen? How did this artistic medium swallow me whole?” There are many answers to those questions which I won’t go into here but I will say that when I think about it I don’t regret any of it. I’d be aloof without it. The thing about cinema is that it is the one form of expression that encompasses all other forms of expression. How could we not fall madly in love with it? So today I am celebrating the passion for film and embracing its hold. Below are the quotes I find best describe the power of film.

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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.

- John Berger

Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness.

- Ingmar Bergman

Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.

- Don Delillo

A film is — or should be — more like music than like fiction. It should be a progression of moods and feelings.

- Stanley Kubrick

If I’d have gone to art school, or stayed in anthropology, I probably would have ended up back in film … Mostly I just followed my inner feelings and passions … and kept going to where it got warmer and warmer, until it finally got hot … Everybody has talent. It’s just a matter of moving around until you’ve discovered what it is.

- George Lucas

The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.

- Jean-Luc Godard

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If you work in the film or television industry: What made you want to make films or television? If you don’t work in the industry: Why do you love film? To all: What makes a film great?
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Rose XO.
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Filed under Film HAPPINESS, Film INDUSTRY, Hump Day QUOTE DAY